Understanding what computers really are, how they work and how the human brain works, and the fundamental difference between the two, is what inspired this work.Īlthough I spent the first half of my ‘career’ learning how to make things, I’m now learning the why of it. This touches on the irrationality and chaos that surround mythology, versus the cold hard rationality of binary systems. “The blue reliefs explore the differences between analog fluidic computers and modern binary digital computers. Yuma’s multidisciplinary practice employs digital and analog computers, CNC (computer numerical control) machining, 3D printers and “literally anything I can get my hands on that makes me feel excited about creating something,” he says.
To try to prove that paradox is impossible, but I still try.” -Artist (Yuma Burgess) Video and music by irrationality is a much more accurate view of reality. People want to see something new and interesting from the source.” We have been oversaturated with white male dominated media for centuries and, quite frankly, it’s starting to get boring and stale. However, the media is using the art of video to spread division and hate. “Recently, I have been getting back to my roots and creating work that 13-year-old me would have been really excited about.Īrt can really help people connect.
I’m able to utilize all these different art forms in one to create a very powerful experience, something that people can really feel,” says Jeron. “I was drawn to 3D animation by its ability to channel music, sculpture and poetry into one fantastic package. Jeron’s provocative and surreal 3D animations use retro video game aesthetics to explore Black identity in America and social issues, such as capitalism, climate change and human rights. “I want to create work that is both visually captivating yet still conceptually rigorous,” says self-taught animator, director and music producer (Jeron Braxton).
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